If not, tap your avatar in the upper corner and then choose the "Your Recap" option. (If you prefer to stream from the web interface, all you can access there is a playlist made from your Recap.) Once in the app, you may see an option to access the Recap right from the home page. Thanks for doing N.I.To get the 2023 Recap, head to YouTube Music iOS or Android app. After working with it for a few days, I've gained an understanding of your FlexRouter script and am already reaping the benefits in my own workflow with enhanced sample triggering features. "Build it yourself", where my take is "Build it for me so I can use it to make music" There is nothing in the popular visual design apps that comes close to the level of depth, complexity, and bugs that I have experienced using DAW software, workflows and plugins as an audio engineer/composer-not even in the same ballpark, IME.Īs I see it, Reaper is kind of like the 'ultimate' expression of that failure for music software to actually be-imagine this- enjoyable and efficient for musicians.īUT, if you are a more technical oriented person it might be right up your alley! I just happen to be on the opposite side of their design philosophy: I've worked with loads of 'creative' software, all the adobe stuff, Cinema 4D, Figma, Webflow, etc. people.Īn anecdote from my own personal experience: Some have an affinity for it and that's perfectly fine, but hard-gating user friendliness behind software and coding skills is not something that any company should be doing if they are making software for musicians and not software engineers/I.T. I don't think many people got into composing or music in general to be programmers or script writers. Studio One came to the rescue, but now that Cubase 12 is out - and stable! - I'm back with it since I was already familiar with its flow.Ĭlick to expand.That's the rub frankly, as I see it: The thing is, if I have to jump through hoops for something as simple as that, what about when more complicated things come along? I suffer from bipolar disorder, so I basically have little to no patience. What did have me pulling out my hair, though, was the way it was setup to handle midi files and VSTs. There are things in Reaper I like, like the script files that greatly expands its usefulness in regards to score correction and snap to scale ability. For various reasons, none intrigued me as much as Studio One, so I used that for a year or so even though now my main one is Cubase 12. Slowly, I dived back into recording and demo'd all the Windows and Linux DAW's - Cubase, Reaper, Waveform, Studio One, Ardour, Mixbus, Bitwig, Samplitude, etc. By the time I got a place eight years later, much had changed. ![]() I'm an old school Cubase user, go all the way back to SX, so 1999? 2000? Anyway, this and that happened and I ended up on the street in 2012. But there are other underlining issues such as weird midi editor zoom randomness that I just can't work with. ![]() (I'm a programmer since 1987, so I don't want to deal with that in my DAW). Will I come back? Doubt it, If they hire a UI professional and completely revamp the interface so that I don't have to script my way out, maybe. ![]() In the end, I just want to compose faster and more efficiently and Studio One for me does just that. I sacrificed a lot of features moving onto Studio One from Cubase and REAPER but to me the easy workflow of Studio One wins all. ![]() Today, I mainly use Studio One (Used Cubase briefly before that, but its UI should come with an anti-depressant prescription included) I still check REAPER around and their forums for the updates but it does feel like MIDI is still clunky albeit a lot of things can be done through scripting and mangling but that's not my thing. Things progressed very nicely in the early days but everything MIDI felt secondary so I tossed it on the side and moved to Logic and Mac (2011) If you search my posts on their forums I was very vocal on MIDI development since I was coming from SONAR. I started REAPER in 2006 or so, probably before since we hung around on IRC.
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